The English American moves to the Berkshires

Hallo! I’d love to be a part of your community! I am moving to a wee house a quarter of a mile from the Bookloft with my family next Saturday!!! My kids start at Muddy Brook Sept. 1st. I was thrilled to see a copy of my novel The English American in your bookshop when I first arrived! It was published in hardback in 2008 and in paperback in Nov 2009 by Simon and Schuster and, as well as a great deal about nature, nurture and the difference between English and American culture, it has an adopted heroine (as opposed to victim) at it’s centre. I would be honored to introduce myself as a Berkshire Woman Writer. For more details, go to my website, www.alisonlarkin.com. Thanks!

Writer seeking advice/help/support

This was in the comments, but I thought I’d post it so you’d be sure to see it. I know there are plenty of good readers, editors, and feedback-givers out there.

Hello,
I am writing my first book after teaching in classroom over 30 years. Wanted to try something different and decided to use my journal entries regarding “culture shock” of southern girl (me) moving north(Great Barrington). Daughter lives in Mill River.
My manuscript is about 75% complete. Spoke with Susan last Friday in Troy about printing book.
Thinking about doing series on southern girl and her travels. I would appreciate any advice/help/support anyone could give me.
Telephone-413-717-4157 caller ID.
Thanks,
Nora

In defense of literary journals

Not exactly hot off the presses, but close enough. upstreet number six is here, the Berkshire’s very own literary journal. It’s eye-catching over there on the magazine rack, right next to The Bookloft’s door,  in its glossy black cover with the  simple orange letters standing out. It’s a clean, uncluttered look; there’s  no hint of what’s inside.

I love literary journals. I’ve heard people complain–a literature professor in particular–that even with thousands of literary journals now in circulation, the writing one finds  in such journals is becoming increasingly similar, perpetuating the belief that university writing programs, which are often tied to literary journals, are producing one kind of writer. As the popularity of literary journals decreases, so does the diversity found within the pages, it might seem. Nobody reads them, the complaint continues, except those who wish to write in this specific style.

Despite all this, the thing I love about lit journals is the diversity I find.  Crack into the pages of The Kenyon Review, Tin House, Prairie Schooner, or our very own upstreet; you’ll find a diversity of styles,  experience levels, and content. From a writer publishing his first poem to the seasoned author with several novels under her belt; the pages of these journals can be pot luck. I like to think of literary journals as the adolesence of literature–writers coming into their own, finding their voice–promise mixed with professionalism. Who knows, maybe I’m just infatuted with the current trends of contemporary writers; I’m a sucker for what’s coming out of University writing programs, just as I’m equally passionate about the writing of writing degree-less authors like Kurt Vonnegut, Jamaica Kincaid (not including her honorary degree), or contemporary author Tom Bissell … 

I recall picking up a copy of Crab Orchard Review a couple of years ago and feeling so lucky to find a short story by Benjamin Percy (author of Refresh, Refresh; The Language of Elk; The Wilding). In a subsequent issue of Crab Orchard one of my grad school colleagues published a poem. What I find equally exciting is finding literary journals from the 1980’s or 1990’s and discovering an early story or essay from a now established writer. Once, I picked up an old issue of Threepenny Review  in a used bookstore in Arizona and discovered a short story by the professor of the Women’s Literature class I was taking then. These journals serve as the annals for  the works of contemporary writers.

There was a Berkshire’s Week article last summer about upstreet. In it, editor Vivian Dorsel spoke of how the first few issues of upstreet included several Berkshire authors, but in these most recent issues the journal has drawn much more national attention. This year, the issue includes local writers Karen Chase, Courtney Maum, and Daniel Spinella. Three out of nearly forty–at least what I can tell from the Contributor’s Notes at the back of the issue. The issue includes a psychotherapist, several professors of English, students, Pushcart nominees, NEA recipients, landscapers … you know, people.

Come pick up the newest issue of upstreet, or browse our other selections of literary journals (we have Granta, Tin House, The New England Review and several others). You never know what you’re going to find.

Berkshire Wordfest at The Mount

Join some of the nation’s finest writers and Berkshire’s own literary luminaries for a weekend of readings, discussions, and celebration at The Mount in Lenox.

A list of some of the guests:

Kurt Andersen

Roy Blount Jr.

Elizabeth Brundage

Frank Delaney

Tad Friend

John Hockenberry

Katy Lederer

Elinor Lipman

Martha McPhee

Laura Miller

Susan Orlean

Francine Prose

Ruth Reichl

Katie Roiphe

Elizabeth Samet

Dani Shapiro

Jim Shepard

Judith Thurman

Simon Winchester

Events include a Discussion Series, such as Writers in Wartime and “Well-Behaved Women,” an In Conversation series which will include several interviews of authors by radio interviewers Joe Donahue and Susan Arbetter, Social Events–have breakfast with Elizabeth Brundage or Elinor Lipman; share a cocktail with Francine Prose–and Poetry on the Terrace with several Berkshire poets.

From July 23-25 you can attend single event or buy a day pass or a weekend pass (although this does not include the evening social events).  And if the prices are too steep (I mean, we are writers afterall), The Mount is seeking volunteers to help with various aspects of festival organization in exchange for discounted tickets. This could give you a chance meet and chat with some of these renowned writers.

For complete information visit: http://berkshirewordfest.org/about/what-is

Connect

July Poetry Class

For those of you who’ve been looking for a poetry group or class, poet Deborah Bernhardt will be hosting two class meetings at the Monterey General Store on Saturday, July 10 at 3-5 pm and Saturday, July 17 3-5 pm. One celebratory public reading on Sunday, July 18, 2 pm.

No experience necessary.

“A laboratory for experimenting with language and a workshop for revising the results.”

Cost: $20

To sign up contact Deborah at: Deborah.Bernhardt@gmail.com

Deborah Bernhardt has an MFA in Creative Writing and has received national as well as international poetry fellowships and literature grants. Her first collection, Echolalia, was published by Four Way Books (NY) in 2006 as winner of the Intro Prize for Poetry.

Some New(ish) Titles from Local Women

 

“Families don’t talk about the most important things in life!!!!!” I found this quote in bold on page 107 of Deborah Golden Alecson’s memoir, We Are So Lightly Here: A Story About Conscious Dying. In this book Alecson tells her story of her husband’s devestating illness and his conscious acceptance of death. It’s our culture’s tendency to present death as defeat: to deny it, talk around it, to avoid facing death head on. In sharing her own story, Alecson presents a message for the reader to understand that we must embrace our impermanent state; our lives are not our own. This changes the nature of hope, she says. “Hope is the acceptance of one’s fate and the courage to live each moment with the awareness that we will die. … Hope is the moment in which we find ourselves. How is this possible?”

“Once upon a time there lived a brave and curious girl named Persa. Her name meant land breeze in the language of her people.”  Persa’s curiosity sends her on an adventure far from home. Her skills, bravery,  and  knowledge of the wind help her to find her way home. Written by Louis Schick, this children’s book includes beautiful illustrations by upper New York state resident Lara B. Sorensen.

Telling stories isn’t only a form of entertainment; often hearing others’ anecdotes can bring us closer together and remind us that we aren’t alone in this world. Storytelling makes the individual experience universal. The beauty of The Funny Side of Autism is that it doesn’t analyze Autism or try to explain it in any way–it leaves the scientific explanations for the doctors. Here you will find anecdotes with a refreshing stance: humor. From parents, aides, and nurses of children with Autism across the country, these little stories average less than one page in length.

One of my favorites:

Re-gifting

My five-year-old son Logan was diagnosed with high functioning autism at age three. Out shopping one day at age five, he was doing what every kid does–picking his nose. I politely said, “Logan, that’s not nice to do. Please stop.”

He said, “But, Mom, it’s a present for you!”

I tried so hard not to laugh. Then I asked where he’d gotten that from and he said, “Me, right now.”

Logan’s mom, Nevada

Green Mittens Covered Her Ears shares the true story of Jessica, a woman with Autism. Author Anna Saldo-Burke and her twin sister, Diana Saldo, who produced the digital illustrations for the book, worked with Jessica on controlling her behaviors and gaining skills so wshe was more socially acceptable and independent. The story briefly tells the details of Jessica’s behavior and how Anna and Diana made plans to help her improve her speech and conduct. We learn how Jessica has good days and bad days, how she likes to play with small pieces of wire, how she enjoyed chirping crickets and people imitating birdcalls, her success as an artist, and many other details that give us insight into the world of Autism.

This book was published in 2007, but it has returned to The Bookloft as a consignment book, so it’s new in it’s reappearance on our shelves. Written by physician Abigail Brenner, M.D., this book explores how rite and ritual and bringing the unconscious to consciousness help us to make sense of life. “Women’s Rites of Passage grew out of my desire to answer some fundamental questions about the role of rites of passage in contemporary women’s lives,” writes Brenner in her introduction. ”What kinds of passages are most significant to women today? Do we consciously recognize and mark these passages? If so, how? And how does this affect our lives? Drawing upon my extensive research in the fields of anthropology, sociology, psychology, mythology, archeology, history, philosophy, and religion, my aim was to distill the best of the scholarly material that would interest a mainstream audience, combine this with personal stories from a wide range of women, and complete the perspective with my own observations, analysis, anecdotes, and guidance as a practicing psychiatrist and healer of many years. I wanted to create a book that would reconnect women to their important life transitions while giving them the tools to honor those transitions and understand their significance in the broader scheme of their lives.”

All of these are available at The Bookloft in Great Barrington. Unfortunately, because these books are sold on consignment and not from our typical distributors, they cannot be bought online. But they’re here in the store!

Phyllis Carito on Writing

Phyllis Carito lives in Claverack and has been in the Hillsdale area for over 30 years. She’s an administrator at SUNY Columbia Green Community College where she also teaches creative writing, a writer, and a frequent visitor to the Bookloft. She writes  memoir, short stories, and poetry. Here’s what she had to share about the writing process:

All my writing begins and ends with my love affair with the library, my first job, and the discovery of all the stories.  In the beginning I never considered sharing my poetry or stories, and only after a friend went to the New School and began sending me copies of a literary magazine and encouraging me to send something to them did the idea seem feasible — if they could share their stories, why shouldn’t I?

This was years and many versions of poems before I went back to school for an MAW at Manhattanville College — a small program with a lot of heart — and this gift to myself changed my life.  I became an educator teaching college Composition and Creative Writing, and attending different writers’ workshops each summer where I met incredible people who understood my need to explore through writing, to communicate through poetry.  They all have been great experiences, at Manhattanville, Skidmore (NYS Writer’s Institute,) Colgate University — I recommend it to anyone who wants to immerse themselves in writing, and surround themselves with people who applaud your efforts.  

This summer I’m going to Frost’s Place in Franconia NH as an auditor.  I am ready to (feel disciplined enough) go and write for a week, and not need to be workshopped, just to share the environment. 

When my mentor suggested it was time for a book I gathered some chapbooks that I liked and saw where they were published.  I checked them out on the web and decided to write to three of them, altering the content a little in each one, with the hopes of fitting their interest.  I was delighted when Finishing Line Press accepted my work, and we are in the process right now of getting the book completed.  I can tell you more about it as it unfolds.

Carito’s new book of poetry, barely a whisper,  is forthcoming from Finishing Line Press. Copies will be available at The Bookloft.

Speed Grieving–showing at BIFFMA

Another movie by women about women’s issues showing at BIFFMA (Berkshire International Film Festival) THIS WEEKEND: 

 

Alysia Reiner, Producer/Actress

Speed Grieving is about the incredibly confusing grief process and how we wish we could ‘fast-forward’ through it. Speed Grieving is excited to be part of the Berkshire International Film Festival  in Great Barrington, MA and will be a part of the Film Shorts #2 Series. The film will be screening on Friday June 4 at 4:45pm (Triplex #3, Great Barrington), Saturday June 5 at 9:15am (Beacon Cinema, Pittsfield) and again on Sunday June 6 at 4:00pm (Triplex #3, Great Barrington). I think this is a film your students and fellow professors and staff would enjoy supporting.

Directed by Jessica Daniels (Morning After, Cycle Unknown, MAN) and written by Dasha Snyder (The D Word),  Speed Grieving, revolves around a driven corporate climber who struggles to balance her hectic work schedule with her father’s terminal illness only to learn that certain things in life can’t be done efficiently. The story is by producer and lead actress, Alysia Reiner (The Vicious Kind, Arranged, Sideways) and is also produced by Katie Rosin, the  PR contact for the film. This powerful all women team has been screened at the San Francisco Women’s Film Festival as well as New York Women In Film & Television (NYWIFT)’s SWAN Day (Support Women Arts Now) events in New York City. NYWIFT also featured Reiner as a “Member to Watch” on their website. The film itself was partially funded by Women Make Movies.

Speed Grieving premiered at the Hamptons International Film Festival in October 2009 and was invited to the Williamstown Film Festival.  Over the past few months the film has screened at:

  • Women with Vision Film Festival – Minneapolis, MN
  • NYWIFT Celebrates SWAN DAY (Support Women Artists Now) – New York, NY
  • Hearts &Minds Film Festival – Dover, DE
  • San Francisco International Women’s Film Festival – San Francisco, CA
  • Talking Pictures Film Festival - Evanston, IL ( Won “Honorable Mention”)
  • Spirit Quest Film Festival – Erie, PA

The next screening in your area is at the:

Berkshire International Film Festival – Great Barrington, MA Friday June 4 at 9:00pm, Saturday June 5 at 9:15am, Sunday June 6 at 4:00pm http://www.biffma.com/

Fredda Wasserman, Clinical Director of Our House and author of Saying Goodbye to Someone You Love said, “In her short film, Speed Grieving, Alysia Reiner poignantly portrays the turmoil and chaos that surround her following the news that her father is dying. The film gives a tender and humorous look at anticipatory grief and society’s unrealistic expectations.”

Allison Gilbert, author of Always Too Soon: Voice of Support for Those Who Have Lost Both Parents wrote:

“If there was an Academy Award for ‘Best Film on Death & Grieving,’ Speed Grieving would walk away with the coveted Oscar. This film is a work of passion, and it shows in every frame.”

For more information please visit our website at www.speedgrieving.org or our Facebook page (http://www.facebook.com/SpeedGrieving). This is a film that looks at women’s issues, health and grief issues and does it in less than 15 minutes. It has amazing capacity to stimulate discussion, and this is a piece of work your organization would be interested in. In the fall the film will be marketed along with a Grief Guide (put together by the Cancer Support Community) to help with starting the communication about grief and bereavement.

Notes from No Man’s Land

The description Eula Biss’s book as listed on The Bookloft’s website calls it, “A frank and fascinating exploration of race and racial identity,” which it is. But really, this book goes so far beyond that–it’s an exploration of what it means to be a young woman in America, an idealist in New York City, a white woman teaching third grade in Harlem, an Easterner searching for home in Iowa.  These essays are about identity across the board.

“Perhaps it is only through leaving home that you can learn who you are. Or at least who the world thinks you are,” Biss writes in the essay “Back to Buxton.” “And the gap between the one and the other is the painful part, the part that you may, if you are me, or if you are Zora Neale Hurston, keep arguing against for the rest of your life–saying , No, I am not white in that way, or, No I am not black in that way.’”

As a woman about Biss’s age who has lived in the Northeast, the Southwest, the Midwest, and, for one strange summer, Wyoming, my sense of belonging is constantly being re-evaluated. Whether about race, gender, educated or uneducated–I think Biss’s essays get at the core of what it means to be American how we define ourselves, and how others define us.

But the book isn’t nearly as dry as I’m making it sound right now. These essays are richly written, the author including personal anecdotes from her life along with historical facts. Her lineup of characters include Alexander Graham Bell, Zora Neale Hurston, Joan Didion, and NAFTA. Sometimes the essays are loose, scraps of information assembled together, collage like, the reader drawing her own conclusions. The essay “Babylon,” for example is composed of one to two sentence long paragraphs, separated by space breaks, and include historical accounts of the garden of Babyon, Biss’s experience in a garden park in Oakland, details about palm trees, the take-over of abandoned buildings by squatters in New York for the use of city gardens. Through these little clips we can string together Biss’s line of logic–which can’t really be summed up in a sentence (hence the collage-like structure of the essay), but has to do with human migration, how we inhabit and abandon space, and how the story of domesticated plants parallels our own story.

Notes from No Man’s Land: American Essays, is one of the best collections of essays I’ve read in a long time. It’s no wonder ”Miss Eula,” as her Harlem third-graders addressed her, was the winner of the Graywolf Press Nonfiction Prize. I know, she’s not a Berkshire writer (although she did spend some of her childhood  in rural Massachusetts), but any American woman writer can identify with the themes that pulse through Biss’s writing.

Also by Eula Biss:

  The Balloonists

I’d like to introduce . . .

. . . some new members of  the Berkshire Women Write! community.  If you’d like to introduce yourself, please send me and email.  And we welcome any detailed posts anyone would like to submit on the writing, publishing, teaching, etc. process.  As always, feel free to comment!

Claudia M. Gold:

 I have been in the Berkshires for over 40 years, the last 10 as a full time resident. I have been writing for a while, but only feel safe to describe myself as a writer now that I have a publisher for my book. My primary profession is pediatrician, but when my kids turned 7 and 11, I realized that with swim practice, dance rehearsal etc. taking call was impossible(my husband is also a doctor-in fact the eye doctor of many Berkshre residents). I stopped doing primary care, limiting my practice to behavioral pediatrics, which did not require call. As an outlet for my creative energies, now that I was no longer caring for newborns in the middle of the night. I resurrected my passion for writing.

 After having a number of op eds published in the Boston Globe on the subject of children’s mental health I was encouraged to write a book. Thus began a 2 year challenging process of getting an agent and then finally a publisher. The description of my book on my website reads:
 
/My forthcoming book, to be published by Da Capo Press, integrates the most contemporary research in child development with stories from my pediatric practice to support parent’s efforts to think about their child’s mind and the meaning of their behavior, which in turn facilitates the child’s healthy emotional development at the level of structure and chemistry of the brain. /
 
If anyone is interested, I have a blog, and my most recent post offers a  preview of what the book will be like:

http://www.claudiamgoldmd.blogspot.com/.

I’m wondering if there is a writing group out there. Last year I took a course for physician writers and we formed groups and discussed our writing, which was really fun.  If there is such a group I would love to join.

Phyllis Carito:

I currently live in Claverack but have been in the Hillsdale area for over 30 years, and I’m a frequent visitor to the Bookloft. I’m an administrator at SUNY CGCC and a writer. I teach creative writing at the college. My writing is memoir, short stories, and poetry. I’m in the process of having a book of poems published by Finishing Line Press.

 It would be grand to have a group to converse with about writing! In watching the brief video [on the blog] I noted that Michelle Gillett mentioned a writers’ group for poets and I would love to know more about that.

Phyllis also has a poem forthcoming in Vermont Literary Review.

Ruth Sidranksy:

I will be in the Berkshires May 30th to late fall. I am the author of the memoir, In Silence, and I teach writing. I thought what fun it would be to be with other writers and those who want to write.

Gina Hyams:

Please add me to your Local Authors page and Berkshire Women Write list. I have a new book about pie contests coming out spring 2011 from Andrews McMeel. Learn more at: ginahyams.com